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Sales Rank: #1444223 in Books
Published on: 2007-11-10
Binding: Paperback

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Senin, 12 September 2011

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Interest in U.S. foreign relations has soared to great heights in the early twenty-first century. Long admired as the most comprehensive and accessible American diplomacy survey available, U.S. Diplomacy Since 1900 has never been more relevant. Now in its sixth edition, the book chronicles the major events in the history of U.S. foreign relations, from the Spanish-American-Philippine War to the present. In this engaging narrative, Robert D. Schulzinger discusses public ideas about foreign relations and explains how U.S. foreign policy is made; he places U.S. foreign relations in the context of the growing interdependence and globalization of international affairs.

Updated to include a complete account of the second Bush administration, the new edition also addresses the developments that both preceded and followed the 9/11 terrorist attacks. In the aftermath of this violence, Schulzinger considers whether the U.S. has become an empire and, if so, how that empire is defined. The sixth edition also provides updated, streamlined, and enhanced material throughout and features an array of vibrant new photographs.

In this dynamic text, students will encounter the latest scholarship in the history of international affairs, which incorporates valuable insights from related disciplines in the social sciences and humanities--including work on gender, race, ethnicity, and intellectual history. Distinguished by its combination of narrative and analysis and by its in-depth explanations of how and why policy is created, U.S. Diplomacy Since 1900, Sixth Edition, is an invaluable resource for students of diplomatic history, foreign relations, and political science.

Sales Rank: #619280 in Books
Published on: 2007-12-15
Released on: 2007-12-15
Original language: English
Number of items: 1
Dimensions: 6.10" h x .80" w x 9.20" l, 1.30 pounds
Binding: Paperback
432 pages

Review

"U.S. Diplomacy Since 1900 remains the best book on twentieth-century American diplomacy. Schulzinger has mixed depth, breadth, and brevity in the right proportions. No other author covers the same material with the clarity, organization, and humor of Schulzinger."--Stephen Tootle, University of Northern Colorado

"U.S. Diplomacy Since 1900 is fresh and it makes my students think; it has increased class discussion exponentially."--Claude Hargrove, Fayetteville State University

About the Author
Robert Schulzinger is professor of history at the University of Colorado, Boulder. He received his Ph.D from Yale University in 1971. His areas of expertise are American diplomatic and recent U.S. history. His many publications include A Time for War: The United States and Vietnam (1977), American Diplomacy in the Twentieth Century (1994), and Henry Kissinger: Doctor of Diplomacy (1993). He currently serves as the director of the International Affairs Program at the University of Colorado.

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0 of 0 people found the following review helpful.
Not bad for a text book
By Jason A. Hunt
Pretty good synopsis if the key issues in US foreign affairs for this time period. I found the reading to be thorough without being overwhelming. Definitely a liberal leaning author but he tries to keep it balanced to some degree.

0 of 0 people found the following review helpful.
Great
By Eibhilin Whittemore
Great, great book. If you are not able to read the entire book, as it can be dense, albeit full of information, the first few pages are a great summary.

0 of 0 people found the following review helpful.
Four Stars
By CESL01
Book was fine. No issues.

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Sabtu, 03 September 2011

[D916.Ebook] Get Free Ebook Harmonic Practice in Tonal Music (Book & Audio CD), by Robert Gauldin

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Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music.

Taking a linear functional approach, Professor Gauldin uses clear explanations and outstanding musical examples to show students how individual chords function in the overall structure of a piece, explaining how both harmonic and melodic forces contribute to the development of musical ideas. For the Second Edition, Professor Gauldin has undertaken a comprehensive revision that responds directly to the suggestions of instructors. The new text emphasizes fundamental concepts, using a more effective organization and simpler, more accessible language to bring the most important ideas and information to the foreground. The music literature examples included in the text are now available on this single CD-ROM with performances by students and faculty from the Eastman School of Music.

Sales Rank: #2711426 in Books
Published on: 1997-01
Original language: English
Dimensions: 5.25" h x 6.00" w x 1.00" l,
Binding: Audio CD

About the Author
Robert Gauldin, professor of music theory at the Eastman School of Music, is the author of A Practical Approach to Sixteenth-Century Counterpoint and A Practical Approach to Eighteenth-Century Counterpoint. He has contributed to many scholarly journals, including Music Theory Spectrum and the Journal of Music Theory Pedagogy, and served as president of the Society for Music Theory from 1992–1993.

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22 of 22 people found the following review helpful.
A Comprehensive Theory Text for Modern Students...
By Schenck Joseph
I quite enjoy professor Gauldin's harmony text. It was comprehensive and yes, as the publisher's review states concise. Personally, I studied theory/harmony out of several different texts (Benjamin, et.al.; Siegmeister; Kostka; Piston) as an undergraduate and on my own time and I find Gauldin's to be one of the best I have come across. While in theory pedagogy class I was able to study and dissect over two dozen texts from various regions and time periods. "Harmonic Practice..." is a modern text which is great today for the modern student. The use of basic Schenker reductions is an excellent idea and one that helps the students realize linear aspects of the music that many past harmony texts either ignore or too briefly discuss. Gauldin gives a nice balance of both the vertical and linear aspects of music throughout this text (it reminds somewhat,although much better, of Elie Siegmeister's "Harmony & Melody"). The overall appearance of the book is very similar to many of the current high school texts that students use today. This is a comfortable approach for students coming into theory for the first time or with little background in the area. Many of the reviews I have read seem to be critical in areas they know little of. Yes, Gauldin presents the basics (scales, chords, etc.), but many, many undergraduate level texts do so in order for review. Also, many critics have discussed professor Gauldin's scale building on 5ths. While this is in the text it is not the primary focus on scale construction, merely a footnote (p. 27). Overall this is a very good theory text for undergrauates which could and eventually will use some improvements (the misprint in the bass of the second mm. in Ex. 10 p. 107). This book gives much insight into many aspects of beginning theory, basic Schenker principles, voice-leading, form (the excursions are a great idea), and analysis that many other books in this field often neglect. Like most popular theroy texts, "Harmonic Practice" is excellent for an undergrad program, so long as the students have a teacher with a strong foundation in theory. I highly recommend this text.

21 of 22 people found the following review helpful.
Gauldin teaches theory from an historical perspective
By Benjamin Ayotte (benayotte@aol.com)
Robert Gauldin's textbook aims at instilling in the student an awareness of the linear forces that create music. In his preface, Gauldin states that traditional theory and functional harmonic analysis "tends to neglect the melodic aspects of the music and the way those linear forces shape the harmony." This point of view is heartily endorsed by this reviewer. The text is organized into four main sections: basic elements of music, diatonic harmony (including binary/ternary form), chromatic harmony (including sonata form and contrapuntal forms), and advanced chromatic techniques. Five appendices include acoustics, modes and scales, species counterpoint, Jazz and commercial music, and conducting patterns. The text purposes to introduce students to linear-reductive (i.e., Schenkerian) analysis on lower structural levels (reductions tend to be foreground and early middleground). As it is not a text in Schenkerian analysis per se, and as the more remote structural levels are progressively more difficult to perceive Gauldin does not burden the students with Schenker's more esoteric terminology for larger formal constructs. Gauldin also provides the student with an introduction to the implication-realization models of Leonard B. Meyer. The explanations of concepts are lucid and conversational; the analyses are insightful and reveal to the student the fundamental voice leading underlying a given passage. The text is very attractively produced, and joins the texts of Mitchell (Elementary Harmony), Aldwell & Schachter (Harmony & Voice Leading), and Forte (Tonal Harmony in Concept & Practice) in the task of attempting to enlighten and sensitize students to the melodic dimension of music, of which harmony is a by-product. An important by-product, to be sure, and one that in the nineteenth and twentieth centuries assumes the structural role held by melody in the previous centuries. Yet it is important to teach music theory from an historical perspective, and Gauldin's text does just this. He achieves a perfect balance between the vertical and the horizontal dimensions of music

14 of 18 people found the following review helpful.
Leave Harmonic Practice in the bookstores.
By A Customer
Gauldin's text is very frustrating to read because the language and presentation is loose and imprecise. He thoroughly confuses the topic of the diatonic scale by defining a semitone on p. 10 (note the misprint in the definition, which is repeated later in the text) by a rigorous method, and then on p. 27 suggests building the scale upward by perfect fifths. Why? The latter is a totally differnt scale and does not even close on the octave. You can't make a scale with only perfect fifths, but the author not only leaves you with the impression you can, but, in addition, that such a scale is the same as the equal tempered scale. If used at all, the concept of building from fifths ought to: 1. be clarified, and 2. introduced before the equal tempered scale rather than the reverse. This is one example. Similarly confusing treatments of basic concepts are found in every chapter.
The book lacks problem sets by chapter. Instead they are put into an overpriced additional book. The problems are often only loosely tied to the text, and tend to start at too high a level of difficulty. There is no attempt to have a graduated set of exercises.
In case you elect not to buy the workbook, the author provides a second set of problems in the body of the text which he calls "examples." Example 9 on p. 106 asks the student to write a voice leading reduction on a staff in the textbook proper, not the workbook. Is this an example or a problem? Why even suggest writing music in the text if there is a workbook?
Many of these "examples" contain critical information and ought to be true examples and either have the answers written in, or given in the margins of the text. By making unanswered problems out of examples the author makes it very easy for a student to misinterpret a concept amd give an incorrect answer to fundamental information and has no way of knowing the error. For the "examples" like the one on p. 109, the student is given no idea of what a correct answer is. To call these problems or exercises "examples" is a lie and creates a terrible format for an introductory textbook for freshmen.
Example 26 on p. 188 gives two lines from Death and Transfiguration by Strauss. The author's point is that accented nonchordal tones transform a banal passage into "one with great emotional impact." Apparently he did not listen to the piano rendition on his CD. It is banal. It has zero emotional impact. Nowhere does he mention the importance of the sustained crescendo eventually introducing a huge brass section for the lines he is discussing. I submit that the superb orchestration of the work, which makes excellent use of the affect of a good brass section, would give the ending great impact even without the accented non-chordal tones. Just listen to the rendition on the CD to hear the how exciting the accented non-chordal tones are by themselves.
New terms are not always defined at first use, and rarely can be found in the index, which is extremely poor.
The copy editing is exceedingly poor leaving many errors.
I have tried to be very specific about the type of problems that plague this text and could cite dozens of additional examples. I absolutely do not recommend using this text.

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Jumat, 02 September 2011

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Published on: 1979
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How To Win The Lottery With The Law Of Attraction: Four Lottery Winners Share Their Manifestation Techniques, by Eddie Coronado

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HOW TO WIN THE LOTTERY WITH THE LAW OF ATTRACTION was written by Law of Attraction lottery winner, teacher and author Eddie Coronado. Based on interviews with actual winners who have used the Law of Attraction to win lottery prizes, this book provides the metaphysical tools and insights that are necessary to win lottery and contest prizes through the creative power of thoughts and feelings. Although this book contains the manifestation techniques of people who have won money, these metaphysical exercises can be used to attract the perfect mate, a new career, financial success, or anything that you can make a part of your beliefs and feelings. There is no limit to how much money and success you can manifest through the Law of Attraction because this immense spiritual power does not have an opinion about what you should or should not have. You can use the Law of Attraction to manifest ten cents or ten million dollars. The determining factor is belief and expectancy, which can be harnessed by using the spiritual tools discussed in this book.
THIS BOOK CONTAINS FOUR PARTS:
PART 1: This section explores the tools that are used for the manifestation techniques in this book. The tools covered are as follows: Affirmations, Creative Visualization, Expectation, Gratitude, and the Practice of Receiving. You should take the time to carefully read this section even if you are familiar with the Law of Attraction and the power of intention. This section contains a number of insights and explanations that may have been missed by other authors and teachers. For example, the Practice of Receiving is a powerful tool that can help you attract a lot of money, yet many Law of Attraction books do not mention this important exercise. In addition, I have included some helpful information about gratitude and affirmations as it relates to manifesting money. Affirmations of words, thoughts, feelings, and actions are also covered. Finally, the most important element of any manifestation technique is creative visualization, which every Law of Attraction lottery and contest winner has used to win prizes.
PART 2: This section includes the manifestation techniques used by the winners who were interviewed for this book. Each winner, including the author, is introduced and his/her manifestation exercise is documented to reflect the exact steps taken to win lottery prizes. No changes have been made in order to preserve the integrity of each winner's method.
PART 3: This is a Question and Answer Section that covers the most important questions about the manifestation techniques in this book. The answers have been provided by the lottery winners who were interviewed. This Question and Answer section will provide clarity and direction for those readers who are committed to using the Law of Attraction to manifest lottery prizes. The questions included in this section cover topics such as: Should I buy lots of tickets? How will I know that my intention will work? How long will it take for me to get results? What part does luck play in manifesting lottery prizes? In addition, a host of other important questions are discussed.
PART 4: This section contains helpful tips and suggestions that will explain how to implement the following manifestation techniques and how to make the most of them. It also contains information regarding the common denominators of the winners' daily action plan in order to provide a clear understanding of the mental and emotional habits that are necessary for manifesting lottery prizes with the Law of Attraction.

Sales Rank: #71472 in Books
Published on: 2014-09-10
Original language: English
Number of items: 1
Dimensions: 9.00" h x .14" w x 6.00" l, .22 pounds
Binding: Paperback
62 pages

From the Author
HOW TO WIN THE LOTTERY WITH THE LAW OF ATTRACTION has over 100 5-star reviews!

From the Back Cover
Eddie Coronado has been teaching people about the Law of Attraction for over 20 years.

About the Author
Eddie Coronado is a lottery winner, Law of Attraction expert, and author of a number of books including: "MANIFEST YOUR MILLIONS: A LOTTERY WINNER SHARES HIS LAW OF ATTRACTION SECRETS", "HOW TO WIN THE LOTTERY WITH THE LAW OF ATTRACTION", and "ADVANCED LAW OF ATTRACTION TECHNIQUES." For over 20 years Eddie has been sharing a wealth of metaphysical knowledge through books, videos and recorded materials. His testimony is unique because he has actually used the Law of Attraction to win lottery prizes and he has manifested other wonderful things with the Universal Law. By explaining the characteristics of the Law of Attraction and how it can be used by any person, he has helped scores of people understand the correct use of this immense power. "You can manifest anything that you can make a part of your beliefs and feelings," says Eddie, "but you must first understand what the Law of Attraction is and how it responds to your thoughts. Once you do so, you can have all the money, success, and anything else you want to manifest with this infinite power." As a result of Eddie's insightful teachings, many people have learned to use the Law of Attraction to manifest money, find new jobs, start lucrative businesses, buy new homes, attract a soul mate, and create the lives of their dreams.

Most helpful customer reviews

35 of 37 people found the following review helpful.
I appreciate this book very much!!
By Samalabear
I just bought this for my Kindle, and I have Eddie's first book, which I will re-read soon, as well. When the student is ready ... I felt that with all that I had why do I need something else. I have met the statements of many lottery jackpot winners, there are numerous stories where people prayed and won a lottery, of varying amounts, that literally saved them at the last minute from losing homes. Some stories go into a thought process, but most you simply glean. What is very common with many jackpot winners and others, is that they use quickpicks and they're not big lottery spenders -- it's affirmations, visualizations (together or not) with a lot of faith and trust.

This book has shown me, through these experiences, where I still need work in my overall transformation, and the amazing amount of what I am doing that is in line with manifesting great things that I desire and require, and that I totally deserve. I really appreciated the second story, because this is someone who manifested good while the outer appearance and circumstances was definitely difficult. Walking "by faith and not by sight" is, I feel, the most difficult part and the second part is dealing with negative people -- the worst of which can be those closest to you, especially if they are part of the religion you grew up with, and you made the mistake of discussing stuff with them. I got called a liar and a heretic and everything in-between by someone I love. Lesson learned -- and you'll hear Eddie tell you this -- zip your lips. On the other hand, in reading lottery stories both in the States and in EuroMillions, people have endured ridicule, because they didn't keep it to themselves, but they obviously managed to withstand the naysayers and realize the truth of this law.

I truly feel I was led to this book today, after listening to Eddie speak on YouTube and not even knowing that this second book existed, and I've been going through thoughts of discouragement, and what I had wasn't enough at the moment.. So this has helped me immensely. I could even tell by reading the one story the exact books Melissa must have read, because I recognized her wonderful affirmations. About four months ago I, too, started writing affirmations and statements down -- just seemed a natural thing.

So, in short this book gave me encouragement and a big boost -- and that, my friend, is gold!

32 of 35 people found the following review helpful.
The greatest "down to earth" book on LAO
By andral
This is the greatest "practical" book on LOA that I have read so far, so thank you Eddie for sharing with us the real techniques behind LAO. It is easy to get lost in all the books that explains how you should think and act, but the fact is that in the end of the day you give up because you feel that LAO doesn't work for you, This book explains, with examples about real people who successfully applied LAO in their lives, that LAO works for everyone as long as you are serious and consistent about it, and if you really believe and apply in your daily life positive thinking and gratitude. And that even if it takes time to manifest, you just have to be persistent, keep believing and trust yourself. Great...just by reading all the stories in the book I got greater confidence that LAO really works. Thank you again for this great book, the work you have put in it and that you share it with all of us.

27 of 29 people found the following review helpful.
Another Winner from Eddie Coronado
By Geraldine
This is another helpful book from author and lottery winner Eddie Coronado.

I've been following the suggestions I gleaned from his first book for about 5 months and this stuff REALLY WORKS if you are consistent in your efforts. I have had more opportunities of various kinds come my way in the past few months, than I have in a LONG time, before that. This also includes winning consistently more $$ on tickets I've bought and other prizes too.

If you are in need of some encouragement or direction how to make the LOA really work in your own life, this is definitely a worthwhile book to check out.

I'm taking off 1 star as I would have enjoyed reading a few more true life examples of lottery winners, being included. I did enjoy Eddie's first book more as it's very in-depth and I continue to re-read parts of it, when I'm in need of a "boost" to keep myself on track with affirmations, visualizations etc...both books are well worth the small amount that the eBooks cost and the rewards can be huge and long-term too!

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