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I Can Fly highlights the critical importance of narrative structural analysis in teaching reading comprehension, while providing a system for constructing comprehension questions that are grounded conceptually in the structure of the stories that the students read, from both a practical, and theoretical, orientation. The author presents the idea that folk tales and ethnic literature provide excellent material for the teaching of reading, particularly to multicultural or minority populations, by increasing the cultural congruence and motivation for multicultural students through their inclusion of language, illustrations, situations, and perspectives in which they see themselves reflected. These conclusions arise from a two year study in a middle school classroom in California with low income, 'at risk' students, most of them African American, but including Latinos and Pacific Islanders.

• Sales Rank: #824810 in Books
• Brand: Brand: University Press of America
• Published on: 1999-02-18
• Released on: 1999-02-18
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .67" w x 6.46" l, 1.06 pounds
• Binding: Paperback
• 328 pages

Features

• Used Book in Good Condition

Review
The book does serve a noble purpose―it stimulates motivation to solve a persistent problem in the development of reading ability of an important population. (Journal of Adolescent & Adult Literacy)

"The book does serve a noble purpose―it stimulates motivation to solve a persistent problem in the development of reading ability of an important population." (Journal of Adolescent & Adult Literacy)

About the Author
Angela Marshall Rickford is Assistant Professor in the College of Education at San Jose State University.

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[V815.Ebook] Ebook Download Can You Hear Me?: Vocal ScoreFrom Oxford University Press

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Suitable for SS with piano, or piano and string orchestra, this book contains a simple setting describing the wonder of a world seen through the eyes of a deaf child. In the chorus singers are encouraged to sign the words they are singing.

• Sales Rank: #6240715 in Books
• Brand: Oxford University Press
• Published on: 1998-06-18
• Original language: English
• Dimensions: 9.96" h x .2" w x 6.97" l, .4 pounds
• Binding: Sheet music
• 8 pages

Review
This beautiful and evocative song really appeals to young singers, and it is rather special in that simple sign language is used ... A very sensitive text about listening and understanding is enhanced by a melodic piano accompaniment, creating the effect of great poignancy. Enjoyable and moving to perform, this is a real gem of a piece - one for the repertoire! In-choir Spring 99 Chilcott's unusual and touching piece ... A sensitive, evocative song ... The Singer Dec 98 This song would make a moving and very effective concert performance piece for trained choirs of middle school age and above. Music Teacher May 1999

About the Author
Bob Chilcott has been involved with choral music all his life, first as a Chorister and then a Choral Scholar at King's College, Cambridge. Later, he sang and composed music for 12 years with the King's Singers. His experiences with that group, his passionate commitment to young and amateur choirs, and his profound belief that music can unite people, have inspired him both to compose full-time and, through proactive workshopping, to promote choral music worldwide.

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Walking the wings of a Tiger Moth plane in full flight ought to be enough excitement for most people, but not Phryne Fisher, amateur detective, woman of mystery, as delectable as the finest chocolate and as sharp as razor blades.

In this, the second Phryne Fisher mystery, the 1920s' most talented and glamorous detective flies even higher, handling a murder, a kidnapping and the usual array of beautiful young men with style and consummate ease―and all before it's time to adjourn to the Queenscliff Hotel for breakfast. Whether she's flying planes, clearing a friend of homicide charges or saving a child from kidnapping, she handles everything with the same dash and elan with which she drives her red Hispano-Suiza.

• Sales Rank: #1777497 in Books
• Published on: 2013-04-18
• Original language: English
• Dimensions: 7.76" h x .51" w x 5.12" l, .0 pounds
• Binding: Paperback

From Publishers Weekly
The many U.S. fans of Greenwood's feisty and plucky Australian flapper sleuth Phryne Fisher should especially enjoy the second entry in the series (Cocaine Blues, etc.), which presents another pair of cases from the early days of her career as a private detective. The two inquiries present quite different challenges: the first, to track down the kidnappers of a young girl, whose father just won the lottery, before she is harmed; the second, to identify the murderer of a bully whose son has been charged with the offense. Fisher again displays an impressive set of skills, from air-walking and daredevil plane flying to blood-splatter analysis, and Greenwood leavens her plot with Wodehousian characters and wit.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The dashing Phryne Fisher, Australian flapper, makes her sixteenth appearance, and she hasn't worn out her welcome. Phryne, a glamorous detective and aviatrix, living in 1920s Melbourne, solves a mystery as easily as she lands a plane. Here her cases involve a murder and a kidnapping, but what makes the story delicious are the flourishes, from Phryne's interior-decorating style (nude paintings of Phryne) to her detecting techniques (jumping into bed with a source). A strong cast of characters surrounds the inimitable flapper, including the kidnapped child (shades of "The Ransom of Red Chief") and a group of women nearly as irrepressible as Phryne herself. Great fun! Ilene Cooper
Copyright © American Library Association. All rights reserved

Review
This series is the best Australian import since Nicole Kidman, and Phryne is the flashiest new female sleuth in the genre.
--Booklist starred review of Away with the Fairies

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0 of 0 people found the following review helpful.
Early 20th Century Mystery set in Australia
By Amazon Customer
I became a fan of Phryne Fisher from Netflix. What a wonderful period piece! This the my first reading of Kerry Greenwood and it was not lacking in anyway. I love the details provided of the setting, the characters and the mystery. It is a great read for fans of light mystery and a wonderful read for fans of period mysteries with a woman lead!

0 of 0 people found the following review helpful.
fun mystery with well-developed characters and a sexy heroine set ...
By B. Davis
Well-done, fun mystery with well-developed characters and a sexy heroine set in front of the landscape of 1920's Melbourne. Very enjoyable. Interestingly, unlike many, the TV series based on these books is quite faithful to the characters and plot lines found in the novel.

0 of 0 people found the following review helpful.
Fun characters and a good mystery in 1920s Australia
By RoseWelsh
Wish these books weren't so expensive, even in e-print. If they were reasonable I'd read everyone. These books are as good as the TV series they inspired.

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• Published on: 1600
• Binding: Paperback

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She’s a fiancée of good fortune…

Strutting down Park Avenue in her new Manolos, Holly James looks like a woman who has it all. But beneath the Prada sunglasses, Holly has a mounting list of decidedly unfabulous problems. Right at the top? The fact that since her fiancé Jamie started spending all his time at his new restaurant (with his impossibly gorgeous sous-chef!), Holly has practically forgotten what he looks like…and started to feel a teensy bit paranoid.

…but has Holly found the right Mr Darcy?

So being kissed by film star Ciaran Duncan should have been a much-needed boost to Holly’s ego. But losing herself in the moment is impossible, since she’s still fuming after meeting English lawyer Hugh Darcy. He’s easily the most arrogant man in Manhattan and she’s engaged to be married…so why can’t Holly stop imagining kissing him? Suddenly, Holly finds herself torn between three eligible bachelors…and it’s proving more difficult than choosing between a Manolo Blanik and a Jimmy Choo – especially since men are non-refundable! What’s a New York fashionista to do?

Don’t miss Manolos in Manhattan, book three in Katie Oliver’s Marrying Mr Darcy series.

Also by Katie Oliver:
Prada and Prejudice
Love and Liability
Mansfield Lark
And the Bride Wore Prada
Love, Lies and Louboutins

• Sales Rank: #109259 in eBooks
• Published on: 2015-03-20
• Released on: 2015-03-20
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Not very good reading
By Shopgirl
Katie Oliver can't seem to decide if she wants to write mystery or romance and the result is two entirely different stories that never seem to find a seam. I bought three in a series of these books but I probably won't buy any more of her work.

0 of 0 people found the following review helpful.
Trite, poorly edited, mindless fluff
By Kindle Customer
The idea was great but the resulting publication was trite, mindless fluff. I could forgive that if the editing job was decent.

0 of 0 people found the following review helpful.
... this series during one of my darkest recovery times- loved it. Escapism
By Kindle Customer
Read this series during one of my darkest recovery times- loved it. Escapism.

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• Sales Rank: #12245807 in Books
• Published on: 1993
• Binding: Paperback

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Written in a lucid, non-technical style, the book starts with the story of how the English language changed throughout the sixteenth century. Subsequent chapters define Shakespeare's main artistic tools and illustrate their poetic and theatrical contributions: Renaissance rhetoric, imagery and metaphor, blank verse, prose speech, and wordplay. The conclusion surveys Shakespeare's multiple and often conflicting ideas about language, encompassing both his enthusiasm at what words can do for us and his suspicion of what words can do to us.

• Sales Rank: #990818 in Books
• Published on: 2001-04-05
• Original language: English
• Number of items: 1
• Dimensions: 5.10" h x .50" w x 7.70" l, .56 pounds
• Binding: Paperback
• 224 pages

Review

"Shakespeare and the Arts of Language has its own challenges: how to write about Shakespeare's language in ways that don't seem either pedestrian or pretentious? McDonald's keen ear and shrewd eye for the specificity of wordplay, for the social relations embedded in spoken language, for figure and meter, for the power of prose, and indeed for the limits of language in the physical forms of theater are, however, more than up to the challenge."--Studies in English Literature 1500-1900

"Makes a difficult subject enlivening and thought-provoking. [McDonald] achieves the difficult task of making linguistic dissection seem meaningful to undergraduates...excellent."-Renaissance Quarterly

"In Oxford University Press's excellent series on Shakespeare Topics, Michael Taylor in Shakespeare Criticism in the Twentieth Century and Russ McDonald in Shakespeare and the Arts of Language offer admirable scholarship presented with welcome readability. This series ought to be in every library."--Bibliothèque d'Humanisme et Renaissance

"The book is not only a solid and thorough treatment of its subject; it is often imaginative and original. The style is perspicuous, and the arrangement and treatment of Shakespeare's mastery of language are sensible and effective.... If someone wishes to require supplemental reading of a Shakespeare class, this would be time and twenty dollars well spent."--Ben Jonson Journal

"This book is a helpful guide to Shakespeare's language, pitched at students and the general public rather than scholars (but offering wonderful footnotes for the scholar-teachers using it with their classes).... A thorough, insightful, informed book."--Sixteenth Century Journal

About the Author
Russ McDonald is at University of North Carolina at Greensboro.

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29 of 34 people found the following review helpful.
Absolutely indispensible
By A Customer
This book is one of the few books of Shakespearean scholarship that I have read which I find completely, unequivocably indispensible. If you have ever been interested in just how Will Shakespeare does what he does with language, Prof. McDonald's book is the one to read. Thorough but not overlong, it is actually a speedy read.
As for spotchboy, there is absolutely NO evidence for an authorship controversy. This "identity question" was created by bored, insipid people who have a penchant for conspiracy theories. Prof. McDonald ignores that question because there is no issue to discuss, and the book deals with the arts of language. I wish the self-proclaimed "anti-Stratfordians" would realize the arts of scholarship. But it is refreshing to see that even they can realize how great a piece of scholarship this is.

8 of 8 people found the following review helpful.
Pardon the pun
By Jon Chambers
There is something rather quaint, nowadays, about focusing on Shakespeare's language. Attending to such things as rhetoric and metre might seem a bit passé. Aware of this, Russ McDonald defends his study of Shakespeare's verbal arts by claiming that language is central to an understanding and appreciation of his work. Refreshingly, he also takes pains to emphasise that the clever use of such language features gives rise to reading pleasure. The process of unlocking metaphors is not arid and academic, in his view, but fundamentally rewarding.

This is by no means the same old guide to Shakespeare's language in new clothing. Although it occasionally elucidates those technical terms so beloved of Greek rhetoricians and Elizabethan theorists, and although it is often in broad agreement with the conventional view of the playwright's development (that alliterative patterns gradually become more subtle, and that end-stopped lines increasingly give way to enjambment, for example), this study presents an illuminating discussion of language, and it enhances and complements recent trends in various disciplines.

Perhaps nowhere is this more apparent than in the chapter on puns: 'Double Talk'. Far from constituting Shakespeare's Achilles heel, as Dr Johnson so famously argued, the much-maligned pun is seen as an integral part of his fascination for doubles - in fact, for 'likeness in difference' in all its manifestations, where puns take their place alongside twins, sets of brothers (Old Hamlet/Claudius; Edgar/Edmund), double plots, parallel circumstances etc. However annoying they might be to some, puns have a function, McDonald argues. Socially, they provide a subversive but safe means for characters to defy their superiors, by deliberately misconstruing and redirecting meaning; politically, and more seriously, wordplay becomes the battlefield on which substitution of meaning anticipates the substitution of monarch; and structurally, they embody what he calls 'the unreliability of the verbal sign'. To MacDonald, the pun is nothing less than a trope that allows for intellectual sparring, demonstrates the vulnerability of language and equips Shakespeare with the mental gymnasium he needs in order to exercise his imagination.

A thoroughly convincing and highly readable contribution to the field of Shakespeare's language that extends beyond language and mere labels. For McDonald, 'Words are considerably more than words'. Ideal both for the non-expert (who doesn't mind having obscure meanings glossed in quotations and alliteration highlighted typographically) and for the more serious student. Vital reading.

3 of 3 people found the following review helpful.
Serious fun
By M. Carpenter
Good footnotes, well-done index, extensive list of suggested scholarly books on Shakespeare topics, tell you this is a serious book. The discussions of figures, meter, Elizabethan English give you an idea of how deeply McDonald will dig into Shakespeare. But you can easily forget this counts as an "I read a worthy book this week" candidate because it is so enjoyable. Many of us love Shakespeare, but few people write about Shakesepeare's methods so lightly and insightfully. You will come away with some new thoughts and insights and an overpowering urge to go read a few plays again.

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