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Offensive Films, by Mikita Brottman
Download Offensive Films, by Mikita Brottman
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Brottman offers up a study of movies so offensive, some are practically unwatchable. From the ever-popular Faces of Death movies to purported snuff films, from classic B-movies such as The Tingler, to more popular but no less controversial films such as The Texas Chainsaw Massacre, Brottman takes a wide-eyed look at movies most folks watch only through parted fingers.
While most critics have been quick to dismiss such films as mere shock-fests (if they even bother to talk about them at all), Brottman argues that these movies tell us quite a bit about who we are as a society, what makes us anxious, and what taboos we truly believe cannot be crossed. Part anthropology, part psychoanalysis, Offensive Films vivisects these movies in order to figure out just what about them is so offensive, obscene, or bizarre. In the end, Brottman proves that these films, shunned from the cinematic canon, work on us in sophisticated ways we often choose to remain unaware of.
- Sales Rank: #1527154 in Books
- Brand: Brand: Vanderbilt University Press
- Published on: 2005-10-03
- Original language: English
- Number of items: 1
- Dimensions: 8.96" h x .52" w x 6.10" l, .69 pounds
- Binding: Paperback
- 216 pages
- Used Book in Good Condition
Review
For those called to be diagnostic morticians of a sick culture. Not recommended for the faint.
--Choice
Consistently witty and intelligent, informed by a cheerful nihilism. I thoroughly enjoyed reading it.
--Science Fiction Studies
About the Author
Mikita Brottman is Professor in the Department of Language, Literature and Culture at the Maryland Institute College of Art. She is the author of Car Crash Culture (Palgrave Macmillan, 2002) and Funny Peculiar: Gershon Legman and the Psychopathology of Humor (Analytic Press, 2004), among other books.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Great Topic, Good Execution
By Michael Adams
This book is a welcome addition to a genre with far too few titles available. The serious critical analysis of "other" cinema is almost entirely unavailable in book form. That said the main shortcomings of this book are the first two essays. The otherwise excellent essay on Tod Browning's "Freaks" is over long and a bit repetitive. And the essay on Castle's "The Tingler" over reaches on a few scatological connections/conclusions. These are minor problems with an otherwise informative and scholarly text on a subject most would not consider worthy of such attention. As a fan of non-mainstream cinema, I wish there were more books like this and I hope the author continues delving deeply into similar subject matter.
7 of 11 people found the following review helpful.
An interesting subject chocked full of erroneous information
By Helltopay27
The topic of taboo and "offensive films" is truly a fascinating subject. It help even more if you're a die hard fan of these films. Naturally, if one likes viewing these films, reading research on the films should be fun and interesting as you explore further and further into the dark realms of the bizarre and obscurity. This read, however, is nothing but frustrating for any person with exploitation background, as it's convoluted with incorrect information and bad research.
As I mentioned, the biggest problem with this book is just wrong information across the board. Not only does Miss Brottman get film dates wrong, she gets chronological order wrong, character names wrong, actors' roles wrong, hell, she even mixes up films (for instance, Deep River Savages by Umberto Lenzi was NOT released in 1981; it was released in 1972. IT started the "cannibal genre", NOT Deodato's Last Cannibal World, which was released in 1977, NOT 1975).
Another short coming that I was frustrated with is the miniscule depth Brottman takes on the subject of Mondo films. She briefly (and when I say briefly, I mean BRIEFLY) touches on the works of Jacopetti, Prosperi, Climati, Morra, and the Castiglionis, the true godfathers of the genre, and then spends the rest of the chapter focusing on direct-to-video compilation death films, such as Faces of Death, Traces of Death, and Death Scenes. These films are a disgrace to the Mondo name and is lame exploitation that makes fun of victims and are meant for sickos' to get their rocks off on. Nothing on the Mondo Cane series, the Savage Trilogy, or the Africa series by the Castiglionis is discussed in ANY detail. More, she mentions the names as part of the genre's history and dives face first into bad topics (also chocked full of erroneous information).
The topics on the more mainstream films (such as Freaks and The Texas Chain Saw Massacre) are more correct and professional (though years are often incorrect), but information on these films is much more readily accessible, which would probably be why their sections are more accurate. Also, books dedicated entirely to that one film are available, with more substance, history, and information all together. Those looking for good research on obscure films then should beware.
Overall, it's a mess. A simple check into all of these films' backgrounds will be able to point to the errors of Miss Brottman's information. Plus, most of the information really is nothing new. I was disappointed in the fact that I ordered this book for research, but was unable to cite anything that I didn't already know (or, again, covered by different books in much more depth). An interesting read for Miss Brottman's opinions, but a very unwise choice for good, solid factual information.
2 of 4 people found the following review helpful.
No jargon, smooth read.
By Raymond Trumble
This book was helpful to me in a grad course I took on horror films. Although its an academic book, its not too hard to read, not too much theory or jargon, like similar books. Also the author treats these movies tongue-in-cheek. He's not claiming they're great films, just that they effect you in a certain way. Better than most academic books about horror films. Could use more pictures.
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